All edward hopper Oil Paintings

American painter, printmaker and illustrator. He was brought up in a town on the Hudson River, where he developed an enduring love of nautical life. When he graduated from Nyack Union High School in 1899, his parents, although supportive of his artistic aspirations, implored him to study commercial illustration rather than pursue an economically uncertain career in fine art. He studied with the Correspondence School of Illustrating in New York City (1899-1900). He continued to study illustration at the New York School of Art (1900-1906), under Arthur Keller (1866-1925) and Frank Vincent Du Mond (1865-1951), but began to study painting and drawing after a year. Hopper began in the portrait and still-life classes of William Merrit Chase, to whose teaching he later referred only infrequently and disparagingly. He preferred the classes he took with Kenneth Hayes Miller and especially those of Robert Henri. Hopper s skill won his fellow students respect, as well as honours in the school where, by 1905, he was teaching Saturday classes.
 
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edward hopper absint oil painting


absint
Gemälde IDENTIFIZIERUNG::  56611 		absint
mk248 med den bar bilden forstora tva av sin vanners rykte. kvinnan ar skadespelerskan ellen andree, mannen en mlare som kallades deboutin,degas avbildar dem djupt forsjunkna i tankar men bavdade att ban inte avsag att porattera dem som utlevade ocb nedkimna. viket var sa som kritikrna uppfattade dem.
mk248 med den bar bilden forstora tva av sin vanners rykte. kvinnan ar skadespelerskan ellen andree, mannen en mlare som kallades deboutin,degas avbildar dem djupt forsjunkna i tankar men bavdade att ban inte avsag att porattera dem som utlevade ocb nedkimna. viket var sa som kritikrna uppfattade dem.
   
   
     
edward hopper automat oil painting


automat
Gemälde IDENTIFIZIERUNG::  56612 		automat
mk248 en kvinna sirer ensam med en kopp kaffe. vi kan bara gissa att den tomma stolen mittemot betyder att bon vantar pa nagon eller bara skulle uppskatta att vem som belst gjorde benne sallskap. genom att placra bennei en odslig miljo dar folk bara associeras med varuautomater anvander sig hopper av distans ocb utanforskap malad ocb uppdiktad for att skapa en situation dar askadaren forestakker sig vad som ska banda.
mk248 en kvinna sirer ensam med en kopp kaffe. vi kan bara gissa att den tomma stolen mittemot betyder att bon vantar pa nagon eller bara skulle uppskatta att vem som belst gjorde benne sallskap. genom att placra bennei en odslig miljo dar folk bara associeras med varuautomater anvander sig hopper av distans ocb utanforskap malad ocb uppdiktad for att skapa en situation dar askadaren forestakker sig vad som ska banda.
   
   
     
edward hopper Nightlife oil painting


Nightlife
Gemälde IDENTIFIZIERUNG::  57009 		Nightlife
mk250 Year in 1942. Oil on canvas, 76.2 x 144 cm. Chicago Art Institute.
mk250 Year in 1942. Oil on canvas, 76.2 x 144 cm. Chicago Art Institute.
   
   
     
edward hopper Edward Hopper, Summer Interior oil painting


Edward Hopper, Summer Interior
Gemälde IDENTIFIZIERUNG::  77856 		Edward Hopper, Summer Interior
Edward Hopper, Summer Interior, 1909, Oil on canvas, the Whitney Museum of American Art, New York City cjr
Edward Hopper, Summer Interior, 1909, Oil on canvas, the Whitney Museum of American Art, New York City cjr
   
   
     
edward hopper Edward Hopper oil painting


Edward Hopper
Gemälde IDENTIFIZIERUNG::  81152 		Edward Hopper
Oil on canvas, the Whitney Museum of American Art, New York City Date 1909(1909) cyf
Oil on canvas, the Whitney Museum of American Art, New York City Date 1909(1909) cyf
   
   
     
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     edward hopper
     American painter, printmaker and illustrator. He was brought up in a town on the Hudson River, where he developed an enduring love of nautical life. When he graduated from Nyack Union High School in 1899, his parents, although supportive of his artistic aspirations, implored him to study commercial illustration rather than pursue an economically uncertain career in fine art. He studied with the Correspondence School of Illustrating in New York City (1899-1900). He continued to study illustration at the New York School of Art (1900-1906), under Arthur Keller (1866-1925) and Frank Vincent Du Mond (1865-1951), but began to study painting and drawing after a year. Hopper began in the portrait and still-life classes of William Merrit Chase, to whose teaching he later referred only infrequently and disparagingly. He preferred the classes he took with Kenneth Hayes Miller and especially those of Robert Henri. Hopper s skill won his fellow students respect, as well as honours in the school where, by 1905, he was teaching Saturday classes.

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